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Here’s my Card

Keeping in line with the aesthetic of my site, I made up some business cards. Like my splash page, I conjured up my graphic design prowess and hand drew the design.

Purdy, eh? I tested the waters with them over at the IFP Script to Screen conference last week. They were a hit.

So, what’s going on in Merrel-land? Quite a bit actually.

I sent my first draft and revisions of my screenplay to a select few close friends and mentors. The screenplay is still untitled, I’ve jokingly tossed the title Anybody Besides Merrel? But it seems too playful given the darker subject matter. Anyway, the first round of feedback seems to be that Act II isn’t strong. So, I’ll revisit that. I’m waiting for some more feedback before I take it out of the drawer.

My production internship at the documentary company has been great. The people are smart, driven and know how to tell a story. It’s a great environment. I had a reprieve this week as the core crew was overseas for six days shooting re-enactments for an upcoming National Geographic documentary.  They are back this week, so I anticipate to have some super crazy days later in the week. They’ll be transcribing and encoding around 50 DVCPRO tapes of footage.

Work as a script reader has proved fruitful as well.  I read and write coverage for about two to three scripts a week. I’m learning how to critically deconstruct a screenplay. It is interesting to view things from this side of screenwriting. I’m just packing away a wealth of knowledge. I’ll probably touch in greater detail in a separate post about the role of a script reader and its benefits.

I have three “floating” writing projects. One is a romantic comedy which I’m working with a classmate from the NYFA screenwriting workshop. The writing partner has a very specific dialogue driven spark. Which adds a great element to the writing.  I’m also working with a NYFA filmmaking student to re-work his thesis short script. Lastly a couple of other friends from the film academy have gotten together and we are working on a dialogue-heavy yet surreal table scene (ala Reservoir Dogs “Do you tip?”)At this rate there isn’t a day that goes by that I’m not reading or writing a script.

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