Uncompleted Works

Last year, I spent a good portion of my time doing production work on CIA Confidential for National Geographic. I’ve since moved onto other documentary work for television and film in addition to my screenwriting and development duties elsewhere.

Doc work experience was a great for me. In fact, every screenwriter should work on at least one documentary. Documentary film structure and other requirements for non-fiction are integral to building accurate, succinct, compelling and entertaining stories. And my screenwriting is better for it.